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Shaun Murray
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ENIAtype Master ClassREGISTER/ INFO</description><title>http://eniatype.tumblr.com/</title><generator>Tumblr (3.0; @eniatype)</generator><link>http://eniatype.tumblr.com/</link><item><title>"It was a delight to observe a group of students who indulged their imagination and wit with such..."</title><description>““It was a delight to observe a group of students who indulged their imagination and wit...</description><link>http://eniatype.tumblr.com/post/49348879680</link><guid>http://eniatype.tumblr.com/post/49348879680</guid><pubDate>Wed, 01 May 2013 10:36:39 +0100</pubDate></item><item><title>
Resonating Simulations in an Environment
Designing in the...</title><description>&lt;img src="http://24.media.tumblr.com/210e3f151867de6c493b35311f7a4eeb/tumblr_mkiy2kATWI1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;
&lt;p&gt;&lt;strong&gt;Resonating Simulations in an Environment&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;Designing in the environment at the breach of the ice melt when fractures reveal a topos for a contingent architecture.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Advanced technologies invoke latent geometries of ancient entities in the cartographies of a geological environment of The Langdales in Cumbria, England. Splicing disparate geometries reveals a dense spatial framework of cryptic cartographies that we could adopt too design a taxonomy of resonating forms, inhabiting abandoned buildings and vagrant ecologies of temporal time frameworks.&lt;/p&gt;
&lt;p&gt;The vagrant ecologies destabilize mobility’s (vectors, bifurcations, manipulative restrictions embedded in movements of speed and acceleration) and generate various forms required for construction of the navigational geoengineering of architecture. Mobility’s going back and forth through the landscape reveal a majestic architecture through the protracted engagement of the vagrant ecologies starting with the spaces of intensity and extensity. Our engagement then moves through magnetism, electricity and finally culminating in electromagnetism and electromagnetism space as a supposedly most counter-intuitive space. Layers of mobility in buildings continually interweave through the to-ing and fro-ing between the occupant as building and the participant as user.&lt;/p&gt;
&lt;p&gt;Under certain environmental conditions fragments of the designed resonating forms can unite together forming a collective, unified entity, that displays directed intentionality by slowly moving from place to place to find energy. When those environmental conditions change, the fragments separate and resume their separate existence. The resonating forms are thus a perfect example of an assemblage, where we have something less than a rigid system or structure where all relations are internal.&lt;/p&gt;
&lt;p&gt;In the geoengineering of the new foundations of an ancient city across the moors we developed a reference system that resorted to progressive updating of the local spatial cartography available to the individual, by continuous use of indications and landmarks through the resonating forms such as wind, characteristics of the soil. &lt;/p&gt;
&lt;p&gt;- in Design Ecologies 2.2, A Sentient Relic, 2013&lt;/p&gt;
&lt;p&gt;Shaun Murray&lt;/p&gt;
&lt;/div&gt;</description><link>http://eniatype.tumblr.com/post/46752642243</link><guid>http://eniatype.tumblr.com/post/46752642243</guid><pubDate>Sun, 31 Mar 2013 13:15:00 +0100</pubDate></item><item><title>Volatile Signalling in Fast Response Notations 
A demonstration...</title><description>&lt;img src="http://25.media.tumblr.com/a4796accfdd62dc1fb80c3b4d4b3e07a/tumblr_mkixmmZtDs1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Volatile Signalling in Fast Response Notations &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;A demonstration that architecture through drawing, just like bacteria and no less sentient, can engage in high-speed capture and processing of notations in actual space and decide in augmentation for architecture with precision. This is why it is important to illustrate not only why it is necessary to conceptualize through the relation of the design of buildings to the real, but also how entangled real and virtual have become – where the real can be played directly through the virtual as a strange but compelling hinge space. We need a different image of the future of architecture, one that responds to architectures actual history as a practice of twisted plotting driven by cunning ingenuity, and is as such quite different from those suggested by both the corporate visions of architecture or the easily answerable ‘questions’ of so-called ‘design for debate’. &lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/46752300619</link><guid>http://eniatype.tumblr.com/post/46752300619</guid><pubDate>Sun, 31 Mar 2013 13:06:00 +0100</pubDate></item><item><title>








Disturbing Territories Sketch Book 1998-1999with over...</title><description>&lt;img src="http://25.media.tumblr.com/563bcafcbb041945adbaaa3b48eab50e/tumblr_mkbn9gOEwb1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;div class="_n8 _3qx fbPhotoSnowlift fbxPhoto uiLayer _3qw pagingReady" id="photos_snowlift"&gt;
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&lt;/div&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/46419071485</link><guid>http://eniatype.tumblr.com/post/46419071485</guid><pubDate>Wed, 27 Mar 2013 13:39:16 +0000</pubDate></item><item><title>In the White Lodge and Black Lodge - a ritual with the...</title><description>&lt;img src="http://24.media.tumblr.com/1a9e8b39f0fa5615fddda5931f8b99ae/tumblr_mhug6eryB81qasedoo3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/549d6d3643e67b5a5f8e3ec9af2438e7/tumblr_mhug6eryB81qasedoo2_r1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/33e8bfc2c09f5fd6cddbfa529b2823c3/tumblr_mhug6eryB81qasedoo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;In the White Lodge and Black Lodge - a ritual with the double-edge tactile cartography, 2013&lt;/p&gt;
&lt;p&gt;(photo by Yorgos Loizos)&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/42496060020</link><guid>http://eniatype.tumblr.com/post/42496060020</guid><pubDate>Thu, 07 Feb 2013 09:39:00 +0000</pubDate></item><item><title>"Many designers today are restoring an environmental perspective to usability studies, mining the..."</title><description>“Many designers today are restoring an environmental perspective to usability studies, mining...</description><link>http://eniatype.tumblr.com/post/42183097603</link><guid>http://eniatype.tumblr.com/post/42183097603</guid><pubDate>Sun, 03 Feb 2013 13:03:20 +0000</pubDate></item><item><title>Photo</title><description>&lt;img src="http://24.media.tumblr.com/47c7d6073b3d14fa178a0af6544941bd/tumblr_mhck5fIdkS1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://eniatype.tumblr.com/post/41710640029</link><guid>http://eniatype.tumblr.com/post/41710640029</guid><pubDate>Mon, 28 Jan 2013 17:48:00 +0000</pubDate></item><item><title>Open Lecture at University of Greenwich on Wednesday 30th at 1800 </title><description>&lt;a href="http://blogs.gre.ac.uk/architecture/files/2013/01/120130_flyer_ShaunMurray.jpg"&gt;Open Lecture at University of Greenwich on Wednesday 30th at 1800 &lt;/a&gt;</description><link>http://eniatype.tumblr.com/post/41710544563</link><guid>http://eniatype.tumblr.com/post/41710544563</guid><pubDate>Mon, 28 Jan 2013 17:47:24 +0000</pubDate></item><item><title>Autonomous Reflexivity are self-contained, leading directly to...</title><description>&lt;img src="http://25.media.tumblr.com/ba7f6d2d026a0bc1bbb204db19391874/tumblr_mgxqugjo1c1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;&lt;span class="Apple-style-span"&gt;Autonomous Reflexivity are self-contained, leading directly to action and characterised by instrumental rationality.&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;span class="Apple-style-span"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;If a telluric architecture alters the environment, will it be able to be maintained by artificial sub-systems to replace the natural ones, in a way that allows technology to keep ahead of nature, until eventually architecture will be able to become completely independent of the natural order by technological means – manufacturing the collision between antagonistic forces, while inserting the division between people and environments? This could be seen as an argument for future prescription rather than analysis – an accelerator of change to other learning experiences.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;Shaun Murray, London 2013&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;in Design Ecologies 2.1: the ill-defined niche, published with intellect books.&lt;/span&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/41023781304</link><guid>http://eniatype.tumblr.com/post/41023781304</guid><pubDate>Sun, 20 Jan 2013 17:49:00 +0000</pubDate></item><item><title>Meta-reflexivity critically evaluate previous inner dialogues...</title><description>&lt;img src="http://24.media.tumblr.com/d67a6e39eacb90883cc9071c686646d2/tumblr_mgxqrriiTn1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;Meta-reflexivity critically evaluate previous inner dialogues and are critical about effective action in promoting value rational action.&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br/&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The architecture that we present will define the determining effects of interaction through a system of varying power, and will suggest a theoretical framework pioneering a new physical notational system that is linked organically to coding and zoning agencies in the atmosphere.&lt;/p&gt;
&lt;p&gt;Shaun Murray, London, 2013&lt;/p&gt;
&lt;p&gt;in Design Ecologies 2.1: the ill-defined niche, published with intellect books.&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/41023653797</link><guid>http://eniatype.tumblr.com/post/41023653797</guid><pubDate>Sun, 20 Jan 2013 17:47:00 +0000</pubDate></item><item><title>Architecture pushing into older and more desolate parts of the...</title><description>&lt;img src="http://25.media.tumblr.com/424fbd36f3604f0dfe4ca65b34a65329/tumblr_mgxqohnQOD1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;Architecture pushing into older and more desolate parts of the city where ambiguity, indifference, indetermination pours down. This is not disentanglement from, but a progressive knotting into.&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br/&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Reflexive architecture invokes the notion of surface alterity – a reflex of something playing back onto itself. The history of architecture provides us with numerous examples of such reflexivity, among others through the styles of metareference and strange loop or tangled hierarchy that arise when, by moving only upwards or downwards through a hierarchical system, one finds oneself back where one started. Reflexivity in architecture references the idea of a surface representation which may present a superficial alterity to its object but which possesses no ontological depth.  An architecture ‘consummated within the process of building, once this is liberated from all conceptual (and practical) dependency upon the ideal of the building and its redemptive finality. Rather than facilitating a sequenced project, proceeding from complete plan to finished structure, it tends to realize its own presupposition in a continuous, non-terminal and multiscaled temporality. The time of architectural realization is extracted (‘unpacked’) from the punctual moment of structural completion drawn back into design and ‘at the same time’ prolonged into the architectural afterlife of inhabitation, utilization, teleological revision and dilapidation.’&lt;/p&gt;

&lt;p&gt;Shaun Murray, London 2013&lt;/p&gt;
&lt;p&gt;in Design Ecologies 2.1: the ill-defined niche, published with intellect books.&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/41023495846</link><guid>http://eniatype.tumblr.com/post/41023495846</guid><pubDate>Sun, 20 Jan 2013 17:45:00 +0000</pubDate></item><item><title>Advent of Tellurian… England as an irradiated wasteland...</title><description>&lt;img src="http://25.media.tumblr.com/350ce2fc123ea599f043ff1942c8545b/tumblr_mfcdm4Bsow1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Advent of Tellurian… England as an irradiated wasteland within it lies a city… Outside the boundary walls a desert, a cursed earth, inside the wall a cursed city stretching from Brighton to Bath …. an unbroken concrete landscape… fuelled by the tellurian..80 million people living in the ruin of the relic and the sentient structures of the new one..sentient bots, sentient highways, sentient city, convulsing, joking… breaking under its own weight…weeping geology and sliding carcasses control the 14th colony.. citizens in fear of the ground… a slow environment dagger, the guns the gangs, the ground, the only thing fighting in this chaos … juries, executioners, judges “do you require back-up”….”no”&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/38395169549</link><guid>http://eniatype.tumblr.com/post/38395169549</guid><pubDate>Thu, 20 Dec 2012 18:20:00 +0000</pubDate></item><item><title>The weeping woman with a dagger in her eye  as if designed...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mejxy2dWaz1qasedoo1_r1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_mejxy2dWaz1qasedoo2_r1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;The weeping woman with a dagger in her eye  as if designed pieces need to breakdown quicker and collapse. Whilst sliding carcasses and rustic weather patterns control the hive of the 14th Colony…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Site Constraints and Mobile Horizons&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;weeping geology and the slow environment dagger&lt;/p&gt;

&lt;p&gt;ENIAtype Masterclass&lt;/p&gt;
&lt;p&gt;with Will Alsop RA OBE&lt;/p&gt;
&lt;p&gt;2012-2013&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/37253118224</link><guid>http://eniatype.tumblr.com/post/37253118224</guid><pubDate>Wed, 05 Dec 2012 09:49:00 +0000</pubDate></item><item><title>Double-edge Tactile Maps and Speculative Geographies 
in Plexing...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_meglk52cQ81qasedoo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_meglk52cQ81qasedoo2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Double-edge Tactile Maps and Speculative Geographies &lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;in Plexing the Otiose Participant&lt;/p&gt;
&lt;p&gt;Shaun Murray, 2012&lt;/p&gt;
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&lt;![endif] --&gt; &lt;!--StartFragment --&gt;&lt;span&gt;The creation of a mandala, as a double-edge tactile map, requires many hours and days to complete. One edge cutting through the dominant&lt;/span&gt; ’theory chic’ of contemporary architecture and the other opening the way for a more dangerous conception of design.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Each mandala contains many notations that must be perfectly reproduced each time, to plex an otiose participant back into a contingent reality with themselves and with the ground. The image shows a participant making a mandala; as a tool for positioning themselves within.&lt;/span&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/37112170382</link><guid>http://eniatype.tumblr.com/post/37112170382</guid><pubDate>Mon, 03 Dec 2012 14:28:00 +0000</pubDate></item><item><title>
Double-edge decoy and hinge engineering for the despotic...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mdnapgcsEI1qasedoo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_mdnapgcsEI1qasedoo2_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_mdnapgcsEI1qasedoo3_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span class="Apple-style-span"&gt;Double-edge decoy and hinge engineering for the despotic designer &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;Detroit’s Zug Island and the County Port Authority&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;ENIAtype: Work-in-Progress&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/35924414526</link><guid>http://eniatype.tumblr.com/post/35924414526</guid><pubDate>Sat, 17 Nov 2012 18:44:00 +0000</pubDate></item><item><title>Exigent engineering of a slowing evaporating...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mctgz2WbU51qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;strong&gt;Exigent engineering of a slowing evaporating architecture-&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Condensation around sponge-like objects in the atmosphere; are the seeds around which an architecture exigencies the engineering. As moisture collide with each other they grow in size until eventually the sponge-like objects are heavy enough to fall.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;Shaun Murray, London 2012&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;(photo by Yorgos Loizos)&lt;/span&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/34764682829</link><guid>http://eniatype.tumblr.com/post/34764682829</guid><pubDate>Thu, 01 Nov 2012 16:11:00 +0000</pubDate></item><item><title>Plexing the otiose participant-

Volatile Signalling in Fast...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mcs1u1e4811qasedoo1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span class="Apple-style-span"&gt;Plexing the otiose participant-&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;strong&gt;Volatile Signalling in Fast Response Notations&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;A demonstration that architecture, just like bacteria and no less sentient, engage in the processing of information about the environment, and decide upon responses to the data that they gather and interpret.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;Shaun Murray, London 2012&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;(photos by Yorgos Loizos)&lt;/span&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/34722185463</link><guid>http://eniatype.tumblr.com/post/34722185463</guid><pubDate>Wed, 31 Oct 2012 21:46:00 +0000</pubDate></item><item><title>designecologies:

*CALL FOR PAPERS*Design Ecologies 3.1:...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mci0je8SgU1qffj9ho1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://designecologies.tumblr.com/post/34355476557/call-for-papers-design-ecologies-3-1-chthonic"&gt;designecologies&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;*CALL FOR PAPERS*&lt;/strong&gt;&lt;br/&gt;&lt;strong&gt;Design Ecologies 3.1: chthonic deluge&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Submission deadline: Thursday 28th February 2013&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;Peter Watts (author of Blindsight) will write the overview article!!&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Design Ecologies 3.1: chthonic deluge present a possible future, images of unprecedented catastrophe and collapse, of certainties and values distorted beyond repair or retrieval, and to craft them with the conviction of the seen; the unseen through the swirling devilish bombardment of objects in a sublime frenzy of forces in the whimpering, emotionally-exhausted wasteland of the twenty first century. Through the hysterical oscillations of implosion and explosion there will be a prophecy of planetary exhumation or ecological deluge. &lt;/p&gt;
&lt;div class="text_exposed_show"&gt;We have the Canadian science fiction author &lt;strong&gt;Peter Watts&lt;/strong&gt; writing the ideation article in response to the other four articles and case study selected for this issue of Design Ecologies.&lt;br/&gt;&lt;br/&gt;Regular updates at: &lt;a href="http://designecologies.tumblr.com/"&gt;&lt;a href="http://designecologies.tumblr.com/"&gt;http://designecologies.tumblr.com/&lt;/a&gt;&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;We invite submissions of articles from any discipline to speculate on the formation of your projects/ buildings/ performances as a critical practice that activates our understanding of intuition, inventory and discovery in architecture. &lt;br/&gt;The four areas of interest include:&lt;br/&gt;&lt;br/&gt;1. Ecological design visions.&lt;br/&gt;2. Notational design &lt;br/&gt;3. Instructional design visions.&lt;br/&gt;4. Aesthetical design visions &lt;br/&gt;&lt;br/&gt;We also welcome case studies and project profiles of 1–5 pages in length&lt;br/&gt;&lt;br/&gt;Submissions&lt;br/&gt;Submissions are welcome from both scholars and practitioners. Contributions may be between 3,000 and 7,000 words and should be accessible to the non-specialist reader. Papers must be submitted in English. &lt;br/&gt;&lt;br/&gt;Please send all submissions to: shaun@eniatype.com&lt;/div&gt;
&lt;/blockquote&gt;</description><link>http://eniatype.tumblr.com/post/34355617607</link><guid>http://eniatype.tumblr.com/post/34355617607</guid><pubDate>Fri, 26 Oct 2012 12:48:31 +0100</pubDate></item><item><title>ENIAtype (www.eniatype.com) Planetary Exhumation in the River...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_martniMzdL1qasedoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span class="Apple-style-span"&gt;ENIAtype (&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.eniatype.com&amp;h=YAQGzI22X&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://www.eniatype.com"&gt;www.eniatype.com&lt;/a&gt;&lt;/a&gt;) Planetary Exhumation in the River Thames, 2012.&lt;br/&gt;&lt;br/&gt;From the complex geometries between and beneath two abandoned jetties in the River Thames we construct and reveal a subservient geology of sponge-like objects.&lt;/span&gt;&lt;/p&gt;</description><link>http://eniatype.tumblr.com/post/32075947862</link><guid>http://eniatype.tumblr.com/post/32075947862</guid><pubDate>Sat, 22 Sep 2012 22:42:54 +0100</pubDate></item><item><title>Site Constraints and Mobile Horizons</title><description>

City of London&amp;gt;Urban compression&amp;gt;Extended city&amp;gt;Materials in materials&amp;gt;Constructing...</description><link>http://eniatype.tumblr.com/post/31858434161</link><guid>http://eniatype.tumblr.com/post/31858434161</guid><pubDate>Wed, 19 Sep 2012 14:25:00 +0100</pubDate></item></channel></rss>
